Select a course.
Our Day Out
infoWhy this? Our Day Out develops our understanding of how performers communicate a playwright's artistic intentions and social concerns through a blend of comedy, drama, naturalism, and stylised techniques. Exploring objectives, subtext, inequality, and contrasting attitudes to education supports believable characterisation and thoughtful interpretation.
scheduleWhy now? Hamlet established how plot, relationships, and character motivations can be interpreted in scripted scenes; this unit deepens that work through a modern play shaped by a specific social context. We now move towards subtler naturalistic acting while also using chorus, cross-cutting, flashback, and split stage to communicate wider ideas.
neurologyYou need to know
- Willy Russell grew up in a working-class area of Liverpool and left school early, which strongly influenced his creative intentions and writing.
- Our Day Out was written in the 1970s and reflects the educational and social inequalities of the time.
- Russell wrote the play to highlight the barriers faced by working-class children, often showing them as bright, lively, and full of potential despite systemic neglect.
- The play blends multiple genres, particularly comedy, drama, and naturalism, to communicate serious social messages in an engaging way.
- The term genre in drama refers to the style or category a performance fits into, such as comedy or tragedy.
- Our Day Out includes key features of comedy, such as misunderstandings and exaggerated characters, and drama, such as emotional conflict and social commentary.
- The technique of chorus can be used to deliver commentary, highlight themes, or amplify emotion in a stylised way.
- The dramatic technique of cross-cutting involves alternating between separate scenes or actions to build tension or highlight contrasts, such as differences between adults and children.
- Split stage is a staging arrangement that divides the performance space into separate areas and can support simultaneous or alternating action.
- A flashback is a shift to an earlier event that may, but does not have to, be framed by action in the present.
- The style of naturalism in theatre aims to represent realistic characters and situations on stage, focusing on subtext, emotions, and motivations.
- Characterisation skills such as physicality, vocal tone, facial expression, and gesture help communicate emotions and objectives.
- Character objectives are what a character wants in a scene; actors must consider this when preparing and performing.
- Rehearsal strategies such as hot-seating, emotional memory, and the magic “if” are tools used to develop believable characters.
- Our Day Out explores social issues such as poverty, lack of opportunity, inequality in education, and authority versus empathy in teaching.
rocket_launchYou must be able to
- Perform extracts from Our Day Out using chorus technique to show shared emotions, group identity, and theatrical style.
- Identify and describe the features of different dramatic genres and explain how these genres affect performance choices.
- Create performances that blend comedy and drama, using tone, timing, and exaggeration to engage the audience.
- Stage the opening extract of the play using group work and chorus, showing the excitement and risks of Mrs Lyons’s class trip.
- Perform a flashback scene by shifting to an earlier event, with or without framing it with action in the present, to add depth to the narrative.
- Analyse a script extract to identify playwright intentions and character motivations.
- Devise and perform cross-cutting scenes by alternating between separate scenes or actions, using staging arrangements and techniques such as split stage, freeze frame, and mime to contrast characters or settings.
- Communicate clear characters using detailed characterisation techniques such as voice, movement, and facial expression.
- Explore how Willy Russell communicates social issues through characters and performance situations.
- Create montages of short scenes showing life at home, school, and in the community for the progress class, using techniques such as split stage or rolling tableaux.
- Participate in hot-seating and visualisation activities to explore character thoughts, backstories, and emotional states.
- Apply the principles of naturalism in performance, showing believable behaviour, realistic dialogue, and emotional authenticity.
- Use rehearsal tools such as emotional memory, objectives, the magic “if”, and subtext to build deep character understanding.
- Perform the cliff scene between Carol and Mr Briggs with clear objectives and emotional transitions.
- Evaluate both their own and others’ performances, identifying strengths and suggesting improvements.