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Genre

infoWhy this? Genre gives theatre-makers and audiences shared expectations about character, structure, style, and theme, while allowing those expectations to be adapted or challenged. Comparing genres and applying dramatic choices to Noughts and Crosses develops our ability to communicate artistic intentions, status, prejudice, and injustice through performance and rehearsal.

scheduleWhy now? The abstract strategies learned previously broaden the range of choices we can now select to suit a particular genre and purpose. Revisiting Year 8 genre knowledge at greater depth, and connecting it to historical, social, and cultural context, also creates a clear bridge to the chronological study of Theatre History.

neurologyYou need to know

  • A dramatic genre is a category of drama defined by specific conventions, themes, and styles.
  • There are a range of dramatic genres, such as horror, murder mystery, comedy, western, melodrama, naturalism, and dystopian drama.
  • Each genre has identifying features, conventions, and typical characters; for example, melodrama uses stock characters like the hero, villain, and damsel in distress.
  • Creative intentions refer to what the playwright, director, or performer wants the audience to think, feel, or understand.
  • Dystopian drama is a genre that explores a society characterised by suffering, oppression, or injustice, often set in a futuristic or altered world.
  • Historical, social, and cultural contexts influence the themes and characters in a play.
  • Historical context refers to the time period when the play was written or set.
  • Social context is about the society in which the play takes place or was created.
  • Cultural context covers the traditions, beliefs, values, language, and customs that shape the characters and story, including the cultural backgrounds of the playwright and characters.
  • Malorie Blackman's Noughts and Crosses originated as a novel, and the stage version studied was adapted by Dominic Cooke.
  • Noughts and Crosses presents a society in which Crosses hold racial power over noughts.
  • Malorie Blackman drew on events such as the murder of Stephen Lawrence and Ruby Bridges's experience of school desegregation when writing Noughts and Crosses, highlighting themes of equality, prejudice, and social status.
  • Status in drama is a key theme that affects character relationships and can be shown through staging and performance, such as proxemics and levels.
  • One common rehearsal sequence is table reading, blocking, polishing, technical rehearsal, and dress rehearsal, although rehearsal processes vary between productions.
  • A table read is a rehearsal in which the cast and director read the script aloud together to understand the story, characters, and plot, with the focus on comprehension rather than acting or movement.
  • Blocking is a rehearsal stage in which actors learn and practise their movements and positions on stage, including entrances, exits, and interactions, to establish the performance's physical flow and spatial relationships.
  • Polishing is a detailed rehearsal stage in which actors refine line delivery, timing, emotional expression, and interactions in response to the director's feedback.
  • A technical rehearsal focuses on integrating lighting, sound, set changes, and special effects with the actors' performance to ensure that all technical aspects operate smoothly during the show.
  • A dress rehearsal is completed in full costume and make-up so that actors can practise performing in costume and the team can test costume changes and transitions.

rocket_launchYou must be able to

  • Identify and explain what a dramatic genre is.
  • Write and perform a script in the style of a chosen dramatic genre, incorporating its conventions.
  • Analyse short scripts and decide which genre fits best based on textual clues.
  • Collaborate in groups to create original endings or scenes that fit specific genres.
  • Perform scenes using melodramatic stock characters and the features of melodrama, and contrast this with scenes in the style of naturalism.
  • Discuss the themes explored in Noughts and Crosses with sensitivity.
  • Develop and perform characters with clear objectives and motivations.
  • Use proxemics, levels, and body language to show status differences in performance.
  • Stage scenes that convey key themes from Noughts and Crosses using characterisation, performance strategies, and spatial techniques.
  • Create and perform a montage that demonstrates understanding of characters' experiences and dystopian elements.
  • Participate in a rehearsal process and explain the purpose of each stage.
  • Watch and evaluate their own and peers' performances, identifying strengths and areas for development with justification.
  • Engage in respectful discussions about social issues and themes presented in drama.
  • Apply drama terminology accurately in evaluations and discussions.
  • Reflect on their artistic intention when planning and performing.


Revision Quiz

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