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Journeys
infoWhy this? Exploring physical, emotional, and metaphorical journeys develops our ability to shape character, atmosphere, and transformation in both devised and scripted drama. Responding to varied stimuli also encourages imaginative choices and introduces techniques such as soundscape, physical theatre, montage, subtext, and proxemics.
scheduleWhy now? The foundational characterisation, improvisation, and collaborative skills established in Introduction to Drama can now be applied with greater control to varied stimuli and scripts. The unit extends our focus from creating clear scenes to deliberately shaping atmosphere, relationships, and meaning for a target audience.
neurologyYou need to know
- A journey in drama can be physical, emotional, or metaphorical, and is explored through performance.
- Facial expressions, body language, stance, and levels help create believable characters.
- Expressive physicality and vocal skills communicate emotions and character intentions effectively.
- A still image is a frozen moment that shows a key moment and is often used to explore character and story.
- A rolling tableau transitions smoothly from one still image to another to show progression.
- Narration and captions can enhance the storytelling aspect of performance work.
- Improvisation involves spontaneous performance without a script, often based on a stimulus.
- Polished improvisation involves refining and rehearsing a previously improvised scene to improve quality.
- A montage in drama is a series of short scenes or images that, when combined, convey a broader story.
- A soundscape involves using vocal and/or instrumental sounds to create a setting or atmosphere.
- Physical theatre combines movement and gesture to tell a story without relying on spoken language.
- Performers in physical theatre are not always presenting human characters.
- Subtext is the unspoken meaning beneath the dialogue, revealed through actions, tone, and expression.
- Proxemics is the use of space and distance between actors to suggest relationships and power dynamics.
- A target audience is the group or groups of people at whom a performance is aimed.
- Stage directions are instructions in a script that tell actors how to move, behave, or deliver their lines.
rocket_launchYou must be able to
- Create still images, rolling tableaux, and depictions that communicate key moments or themes.
- Use facial expressions, body language, and stance to develop clear, believable characters.
- Collaborate effectively in a group to develop ideas, share roles, and support others.
- Use vocal skills such as tone, pitch, pace, and volume to express emotion and character traits.
- Create and perform polished improvisations using a range of drama strategies and techniques.
- Apply hot-seating to explore character motivations and develop backstories.
- Incorporate soundscapes and physical theatre creatively to enhance performance atmosphere and setting.
- Create dramatic scenes set in fantasy worlds, showing contrast between real and imagined settings.
- Demonstrate awareness of proxemics to show relationships and status between characters.
- Stage scripted scenes, considering characterisation, staging, and audience engagement.
- Interpret and communicate subtext through movement, voice, and interaction.
- Create and perform scenes that clearly demonstrate an emotional journey or transformation.
- Evaluate performances using key drama vocabulary and offer constructive feedback.
- Identify strengths and areas for improvement in their own and others' performances.
- Justify how and why a performance appeals to a specific target audience.